Posts Tagged ‘Art World’

Art Master New York: Mirek Klabal’s Art Gallery is the Perfect Destination to Buy Masterpieces!

December 16th, 2009

You have been searching for that masterpiece by Chagall for a long time and suddenly you find out that the masterpiece is up for sale, what would you do? Go ahead and buy it without giving even a second thought? Well you may just be heading towards disaster if you do not cross check and get more information about the piece of art that you want to buy. For art lovers buying a piece of art is like buying a lifetime possession, so naturally you would want to buy things that are perfect and also the best.
Mirek Klabal is one name in the art world that you can completely bank upon. He is an art master in New York, and can turn out to be the best guide for helping you in buying any thing related to the art world. There are several art masters that work towards helping out art lovers to buy the kind of art they are looking for. Mirek Klabal, the New York based art dealer is of the view that art lovers always buy genuine pieces of art from and not fake ones from a fraud art master.
Mirek Klabal has many art galleries located in New York and has an incredible collection of art masterpieces in these galleries. Art pieces from all prominent artists can be found in his galleries and buying from him is also hassle free. An art master is the source through which anyone can buy great pieces of art and fine arts.
If you are buying from Klabal’s gallery, MK Fine Arts, be sure to check out all his galleries and see what he has in his collection. You may just find exactly what you have wanted to always buy. If you find with Klabal what you wanted to buy, nothing can be better than this. You can be rest assured that you will get the best at the most appropriate price.
It may be very common for you to find an art master who has an incredible collection of art pieces, but he is not willing to buy or share anything with other art lovers. Mirek Klabal is a completely different person in this regard and simply loves to indulge all art lovers. He does not believe in hoarding and hiding away his collection from art lovers. Rather he believes in displaying and sharing his collection with one and all. So if you find that he has the piece of art that you have so desperately wanted to buy, you can get it from him without any hassles.
Being an art master in New York, buying, collecting and selling arts and fine art is not the only thing Mirek Klabal is involved with. He likes helping out people in distress and consequently does whatever he has in his capacity to help out people in any kind of suffering. He is one art master who strives to be different from the rest of the horde and has in fact been very successful in doing this.

Express Your Thoughts Through Art

December 10th, 2009

Gallery is defined as a building or a series of rooms devoted to the exhibition and often the sale of work of arts. Among the innumerable art: sculpture, photographs, illustrations, installation art and applied arts are exhibited in art gallery; and painting is commonly displayed medium. It is a way of promoting the unexhibited art and fresh artist. The art galleries let artists to display and promote their work in these venues with zeal. Contemporary art is in vogue. The term contemporary art gallery refers to a commercial gallery intended for private-profit-motive. These galleries are usually spotted agglomerate in large urban areas. For instance: the Saatchi gallery of London is a well known hub of contemporary art world. Contemporary art gallery are also open to the general public without any cost where they can purchase art. Non-for-profit galleries and art-collective galleries are also to be found that directly create opportunities to put on show regularly. Moreover, the artist-run-centre gallery exists on government funds. Art gallery can also be interpreted as the springboard for launching careers for fresh and young artist. Here is a short list of notable contemporary galleries: • Mumbai: The Arts Trust – Institute Of Contemporary Indian Art• London : Saatchi Gallery, Victoria Miro Gallery• Los Angeles : Paragon Fine Art• Madrid : Museo De Arte Contemporaneo • Mexico city : Galleria OMRUmpteen well-known art galleries exhibit art from all over the continents. Selected and matchless works of African art, American art, Indian art, European are preserved in the art galleries for the coming generations. To promote Art, many art galleries adopt the online mechanism letting people to view their work by sitting at home. Such innovative steps provide opportunities for art aficionados to purchase outstanding the works.

All About Art Galleries

December 7th, 2009

Art galleries also referred to as an art museums are reserved areas where visual art is stored and displayed. They serve as area for art exhibition. Most common type of art exhibited is paintings. Other works include sculptures, photography as well as installation arts. Some museums display applied art pieces of work. Apart from visual art display, art galleries are used to host musical concerts as well as poetry readings. There are various types of galleries. Examples include private as well as public galleries. Private galleries are used for commercial purposes, where entrepreneurs sell their wares to members of the public. People use public galleries for nonprofit making activities such as to enlighten the public on different types of visual art. People use both types as venues for musical as well as poetry functions or concerts. A contemporary art gallery refers to a gallery owned by an individual or privately with an undertaking to make a profit. There are many of such places in different parts of the world. These galleries are typically clustered within an area, in urban centers. For example, many people consider the Chelsea district found within New Yolk City as the center of contemporary art world. Many different tourists tour such galleries where they learn and observe different styles of painting, sculpture as well as modeling. Other types of galleries include online galleries where artists form websites and post pieces of work via the internet. Prior to one viewing such work, one pays online, thus promoting the artwork. Online galleries have proven themselves as the way to the future, due to realization of huge profits and minimization of costs. To visit an online gallery, one needs not travel to the physical location of the gallery. One needs to log in to the particular website and then view the artwork. These places receive numerous visitors from all over the world, resulting in high margins and profits. There are numerous online art gallery websites; due to stiff competition, costs of visiting these galleries are low thus favoring the consumer. Prior to opening such websites, one should compare different online site formats and settle with the gallery format, which houses their tastes and preferences. Other types of galleries include vanity galleries. These galleries show members of the public the artists’ work. Artists pay such galleries for their work. Since a piece of artwork has the artists resume, tourists are able to contact artists for artwork services. Vanity art galleries work similar to an artwork-advertising firm. Within an art gallery, not every visual art is displayed for visualization. Examples includes aged master prints. Such paintings are stored within safe rooms for conservation purposes. They have a different form of architecture, established by Sir John Soane who designed the famous Dulwich picture gallery back in 1817. The gallery has places for hanging pictures and other visual artwork. This place has an indirect sky -lighting system. These galleries are a source of revenue because they serve as tourist attraction sites. Apart from commercial purposes, they serve as national heritage symbols where they display talents and history of different countries.

Exploring The World Of Art In Glasgow

September 29th, 2009

Art galleries contain all kinds of delights from all stages in history. While there are paintings and drawings by well known artists to look for and appreciate, there are also plenty of more modern works to enjoy.

Lots of cities have plenty of art galleries to explore too, and Glasgow has some wonderful additions to its collection of galleries. If you are heading there in the near future, try some of these for size.

Firstly there is the Burrell Collection in Pollok Country Park. This is so called because the city owns the artwork as a direct result of having been given it by Sir William Burrell. There are thousands of items to look at and they don’t just cover paintings either. There are tapestries and much more besides to browse around and appreciate.

Elsewhere in Glasgow you can visit the Compass Gallery. This is worth a mention in particular because it is one of the few galleries that focus more on young artists, rather than those who have already succeeded in their careers.

The gallery has been going for three decades now, and one of the most intriguing parts about it is that it has a rich mix of artists whose work it shows. As such a visit is definitely recommended, because there is bound to be something there that appeals to you.

Next up you could try the Glasgow Gallery of Modern Art. As the name would suggest you won’t be surrounded by any classic painters from years gone by. Instead you can delve into the art world as it is now.

One of the key features about this gallery is that it gives space to local artists as well as those who have come to the attention of galleries worldwide. Millions of people have visited the gallery and its impressive surroundings since it first opened back in 1996, and still more are likely to go in the future too. This is also Glasgow’s most popular gallery, and once you have been you will see why.

There are lots of other galleries throughout Glasgow as well. Mainly they are smaller more intimate ones, but they might appeal to you if you have a particular love of art that they cover.

If you want to see all of them you will need more than a day to do so. Book a weekend away in the city if you can – Glasgow flights are readily available and will bring you in just to the west of the city itself. It is then just a short trip to reach the centre of the city. Once you have arrived, all that remains to do is to explore the world of art and enjoy every minute of it.




By: Jonathan Wallace

Maurizio Cattelan Exhibitions and Paintings at Saatchi-gallery

September 14th, 2009

Maurizio Cattelan was born on 1960 in Padua, Italy. Maurizio Cattelan’s art often combines sculpture and performance. Maurizio Cattelan has a subtle sense of the paradoxes of transgression, the limits of tolerance. Since the early 1990s, his work has provoked and challenged the limits of contemporary value systems through its use of irony and humor. He teases the art world without ever falling into the naive trap of thinking he can subvert a system of which he is part.

The characters and personas inhabiting Maurizio Cattelan’s world are ghostly appearances in a personal theatre of the absurd: policemen flipped upside down, stuffed animals hanging from the ceiling, a swami who buried himself in sand

for hours at a time…suspended between reality and fiction, Maurizio Cattelan’s work simulates and subverts the rules of culture and society in a continuous game of detournement, acts of insubordination and symbolical theft.

Constantly exploring different materials, contexts and strategies, he refuses to take any moral or ideological position, concentrating instead on reproducing reality in all its complexities. While he does not offer solutions, he shows that one can survive and use the system without being consumed by it.

Maurizio Cattelan Jokes and pranks are common in art but what makes Maurizio Cattelan special is that his are funny. Funny peculiar and funny ha-ha. Cattelan is a knowing and sophisticated artist who teases the art world without ever falling into the naive trap of thinking he can subvert a system of which he is part. He specialises not in Dadaist aggression but in slight shifts of reality that are a bit pathetic, a bit embarrassing, a bit silly. In 1994 he persuaded his Paris dealer Emmanuel Perrotin to spend a month dressed as a giant pink phallus. Errotin Le Vrai Lapin was striking precisely because it was so ludicrous: aggressive anti-art gestures and extreme acts have long since been accommodated into commercial art dealing, but to have a dealer make a fool of himself goes some way beyond the call of duty, and of chic.

Born in Padua, Italy, in 1960, Cattelan did not attend art school but taught himself. Cattelan brought his bad taste to New York’s Museum of Modern Art when, in 1998, he arranged for an actor in an over-sized cartoon Pablo Picasso mask to meet and greet visitors. Cattelan said he was satirising the postmodern museum and its similarity to a high-cultural Disneyland. He was impressed MoMA put up with such a cruel joke against itself.

SOLO EXHIBITIONS



1999



• Kunsthalle Basel, Basel, Switzerland

1998

• Institute of Visual Arts (INOVA), Milwaukee, Wisconsin

• Project #65, The Museum of Modern Art, New York, New York

1997

• Castello di Rivoli, Turin, Italy

• Le Consortium, Dijon, France

• Wiener Secession, Vienna, Austria

• Espace Jules Verne, Centre d’Art de Bretigny-sur-Orge, France

1992

• Edizioni dell’Obbligo, Juliet, Trieste, Italy

1990

• Strategie, Galleria Neon, Bologna, Italy; Studio Oggetto, Milan, Italy; Leonardi V-Idea, Genoa, Italy

GROUP EXHIBITIONS

1995



• Photomontage, Le Consortium, Dijon, France

• Kwangju Biennial, Kwangju, Korea

• Caravanserraglio, Ex Aurum, Pescara, Italy

• Le Labyrinthe Moral, Le Consortium, Dijon, France

• La Collezione, Castello di Rivoli, Turin, Italy

1994

• Soggetto Soggetto, Castello di Rivoli, Turin, Italy

• Prima Linea, Flash Art Museum, Trevi, Italy

• L’hiver de l’amour, ARC/Musée d’Art Moderne de la Ville de Paris, Paris, France; P.S.1/Institute for Art and Urban • Resources, Long Island City, New York

1993

• Hôtel Carlton Palace, Chambre 763, Paris, France

• Documentario, Spazio Opos, Milan, Italy

• Nachtshattengewächse, Museum Fridericianum, Kassel, Germany

• Aperto 93, Venice Biennial, Venice, Italy

1992

• Ottovolante, Museo d’Arte Contemporanea, Bergamo, Italy

• Una Domenica a Rivara, Castello di Rivara, Rivara, Italy

1991



• Loro, Castello Visconteo, Trezzo, Italy

• Anni 90, Galleria d’Arte Moderna , Bologna, Italy

• Operazione S.Giustino, Milan, Italy

• Siamo qui e stiamo facendo, Communie di Castellafiume, Italy

1990

• Existenz Maximum, Instituto degli innocenti, Florence, Italy

• Improvvisazione libera, Museo Pecci, Prato, Italy

• Ipotesi d’arte giovane, Faqbbrica del vapore, Milan, Italy

Conclusions:

Maurizio Cattelan’s art often combines sculpture and performance. Maurizio Cattelan has a subtle sense of the paradoxes of transgression, the limits of tolerance. Since the early 1990s, his work has provoked and challenged the limits of contemporary value systems through its use of irony and humor. He teases the art world without ever falling into the naive trap of thinking he can subvert a system of which he is part.

What to Do Next…

If you want any information about Maurizio Cattelan or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/maurizio_cattelan.htm




By: Saatchi-gallery

How the Teak Chair Became a Work of Art

September 1st, 2009

A teak chair evokes a lot of praise about its durability, attractiveness grain and coloration and its popularity in patio furniture. However, teak was once a part of the art world. Modernism, an art movement prevalent in the mid-20th century, was not confined to just galleries and expositions. It had crossed into the public sector as a functional design movement, and one branch of it, Scandinavian Modern, saw great success in the American market, where a new life was breathed into the teak chair and other furniture made from the special hardwood.

The Beginnings of Scandinavian Modern

This Scandinavian school of design first came about around the start of World War II, where designs like the bent-plywood prototypes of Alvar Aalto were displayed at the 1939 World Fair in New York. It was not until the end of the war, though, when formerly occupied Scandinavia, had the freedom and outlet to express the years of oppression and hardship they had faced. What resulted was a look to the past as inspiration, in the form of traditional crafts like pottery, weaving, glassblowing and woodworking. However, finding materials did not prove easy as a result of wartime shortages, and artisans could at first only work with limited natural materials like oak, birch, linen and clay.

New Materials

As the movement gained momentum and reached a larger audience, so too did the materials become more exotic, and this where the teak chair and other previously hard to find materials became available. Though native the Southeast Asia, teak had already achieved worldwide success as a building material for structures, furniture and ships by the mid-19th century. It was a only a matter of time, then, that Scandinavian craftsmen took up the flexible and workable wood.

Early Practitioners

Two of the main names associated with Scandinavian Modern are Hans Wegner and Finn Juhl. Wegner was called the master of line and detail, while Juhl had perfected the art of structure. Together their works encompassed a style that was both avant garde but approachable. These first designs laid the foundation for the school of design, from where it gained acceptance and further exposure on a grand scale.

Introduction to America

When it first appeared on the American market, Scandinavian Modern was thought by many people to be austere and forbiddingly expensive. To say a teak chair other high-end goods are expensive to begin with is one thing; match that with the “of the moment” art movement and watch the prices go up. As a result, most middle class citizens could not afford it, and it took the help of one Edgar Kauffman, Jr. to convince the people otherwise. Kauffman worked at the New York Museum of Modern Art, and as the son of the owner of Frank Llyod Wright’s “Falling Water,” he had secured for himself a prominence in the New York design scene. His enthusiastic opinion on the modern movement proved to be a vital turning point. From there, Scandinavian Modern popped up in local stores like Bonniers and Raymor, where well-to-do New Yorkers began buying up pieces. A subset of the movement, Danish Modern, was especially popular during these few decades. After the furniture began to sell in New York, there was a trickling effect outwards to the rest of the country. All of a sudden, younger generations were reveling in the distinct postwar style. At the same time, large retail stores began building their own versions of the Scandinavian teak chair and other furniture stylings. Americans in particular were more receptive to the exotic woods like teak, wenge and rosewood.

Peak and Decline

Because of the mass market influx, prices for Scandinavian Modern furniture dropped significantly. By 1963 the movement had reached an acme, where pieces were seen in practically every home and store. The 1960s also saw an era of more experimental design, but in the end the most important factor was that now the furniture could be seen selling at every price point. For the well off, there were the big names like Wegner, Juhl and Jense. For the middle and lower classes, the furniture could be purchased at Sears and Penney’s. However, by 1966 the trend was starting to wane. A new style, Mediterranean had grabbed the public eye and Scandinavian Modern was on its way out. However, in recent years, it had seen a marked resurgence, especially in conjunction with the European retro chic designs.




By: Tonya Kerniva