Posts Tagged ‘Psychological Space’

About Artist Stef Driesen Art Work and His Paintings at the Saatchi Gallery

December 31st, 2009

Influenced by the works of Northern European Old Masters, Stef Driesen’s paintings often incorporate references to art history through their colours, compositions, and subject matter. Through this lineage, Driesen draws from his own personal experiences to create beautifully expressive canvases evoking both emotional and physical sensuality. Using his own sexual identity as a platform for investigation, Driesen’s work expands upon the theme of man and nature: each canvas conceals a human form within his abstracted landscapes, creating a symbiosis between the romantic sublime and mortal carnality.

Using a fleshy, earthy palette, Driesen’s canvases blur the bounds between tangible and psychological space. Watery grounds, delicate brushwork, and intensified tones lend a sense of dream-like terrain, translating materiality of paint into ephemeral fields redolent with contemplation, desire, and loss. In their poetic articulation, Driesen’s paintings convey the intimacy of the human condition, rendering it equally fragile and heroic. Watery mountain scapes and dramatic skies frame ambiguously figurative foreground elements. Soft pinks and flashes of azure punctuate dark canvases highlighting rivers through the picture plane and revealing landscapes beyond. Ultimately Stef Driesen’s compositions expand space, opening up an imaginary dimension into a world full of the theatrical and fantastic.

Stef Driesen draws inspiration from the compositions, colour palettes, and themes explored by these Old Masters, and is inspired by the way in which they used all of these elements to project a vision of life in their time, political, religious, romantic or otherwise. Watery mountain scapes and dramatic skies frame ambiguously figurative foreground elements. Soft pinks and flashes of azure punctuate dark canvases highlighting rivers through the picture plane and revealing landscapes beyond. Ultimately Stef Driesen’s compositions expand space, opening up an imaginary dimension into a world full of the theatrical and fantastic.

What to Do Next. . .

If you want any information about Stef Driesen or looking for his paintings please visit us on http://www. saatchi-gallery. co. uk/artists/stef_driesen. htm

David Noonan’s Biography and Exhibitions at Saatchi-gallery

September 21st, 2009

David Noonan was born on 1969 in Ballarat, Victoria, Australia.Beginning each of his screen prints by making a collage, David Noonan brings together an eclectic array of found imagery – sourced from film stills, books, magazines, and archive photos – to create dramatic scenes that suggest surreal narratives. These collages are then photographed and turned into large-scale screen prints, a technique remarkable for its sumptuous finish that relates to both artistic authenticity and mass media. Printed in harsh contrast black and white, Noonan’s images encapsulate the romanticism of golden age cinema, and its associations to memory, fiction, and modern mythology.

Approaching image making with an auteur’s indulgence, Noonan presents a fabricated vision that is awesome in its complexity. Using the liturgy of art itself as a departure point for invention, Noonan conceives his work as ‘documentation’ of plausible performances: his cast of characters are positioned as participators in highly elaborate artworks, invoking covert and futuristic ritual. Stylistically referencing Surrealism and experimental film, Noonan’s work poses as the aesthetic remnants of ‘lost masterpieces’, weaving his own extravagant fantasies into fabric of collective consciousness.

Piecing together plausible narratives from his readymade motifs, Noonan renders the intimacy of psychological space as indistinguishable from public cognisance. Using the qualities of photomontage to replicate the linear aspects of film, Noonan’s disparate imagery collates to convey a transient sense of time and space that is both theatrical and strangely insular. Through his process of screen printing, Noonan capitalises on the effects of transluscent layering and exaggerated lighting to replicate the flickering chimera of cinematic projection; an intangible illusion simulating the abstraction of dreams.

SOLO EXHIBITIONS

2006

• David Kordansky Gallery, Los Angeles

2005

• Images, Roslyn Oxley9 Gallery, Sydney, Australia

• David Noonan: Four New Films, Govett-Brewster Art Gallery, New Plymouth, New Zealand

• David Noonan: Films and Paintings 2001-2005. Monash University Museum of Art, Melbourne, Australia

• David Noonan, HOTEL, London, England

2004

• they became what they beheld’, Foxy Production, New York

• they became what they beheld’, Three Walls, Chicago

• Paintings, Uplands Gallery, Melbourne, Australia

• Translation, Villa Kobe, Halle/Saale, Germany

Conclusion:

David Noonan Gallery is pleased to present the first Los Angeles solo exhibition by the London based, Australian born artist David Noonan. Historical imaginations, invented memories, bohemianism and late 20th century British theatre inspire David Noonan’s installation of large-scale screen prints, collages and bronze sculptures.

what to Do Next…

Find more information about David Noonan Exhibitions or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/david_noonan.htm




By: Saatchi-gallery

About Artist Tom Burr Art Work and His Paintings at the Saatchi Gallery

September 17th, 2009

Made from metal, wood, and vynil, Tom Burr’s Bitch, Immediately After Vynil, balances the seductive qualities of his materials with formalist objectivity. Incorporating references to minimalism, design, and social space, Burr infuses the manufactured aesthetic and sleek lines of 70s sculpture with an ultra-modern sensibility, incorporating narrative associations. Through his sparse presentation and refined media, Burr’s arrangement compels with almost fetishistic elegance; its domestic size and ‘naughty’ details create an evocative subtext to the austerity of his composition.

BIOGRAPHY

1963 Born in New Haven

Lives and works in New York

A more satisfying relationship between text and objects is “staged” right now with the works of Tom Burr. Very well written texts address the social, architectural, and psychological space of the fluorescent, mirrored 42nd street milieu that one finds all over the “peep showed” world. The short instructive texts (“blue movies”, “blue laws”, “peep scumatrium” …) open up a rich conceptual parenthesis which the artist filled with a series of uncompleted light interior short hand architecture in varying sizes.

This explains why artists who pursue these strategies run the easy risk of ending up arrogant, cynical, arbitrary and formalist in their object choice and presentation. To be informed by an analytical and critical approach often doesn’t change this trap. Previous shows by AFA and others have exemplified these failures.In most cases somebody else produces the work for them using standard industrial materials. The function of these objects is often descriptive, illustrating of a set of ideas expressed more accurately by textual means. The ideological value of the present or absent texts is mainly to justify the uninteresting objects in their expository function which are as quickly to be interchangeable as produced.

What to Do Next…

If you want any information about Tom Burr or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/tom_burr.htm




By: Saatchi-gallery