Posts Tagged ‘Saatchi’

Zhang Dali, Zhang Dali Chinese Artist, Artist Zhang Dali, Zhang Dali Exhibitions, Zhang Dali Painting’s at Saatchi Gallery, Zhang Dali London Contemp

January 4th, 2010

Zhang Dali was born on 1963 and Born in Harbin, China. Zhang Dali has portrayed 100 immigrant workers in life-size resin sculptures of various postures, with a designated number, the artist’s signature and the work’s title “Chinese Offspring” tattooed onto each of their bodies. They are often hung upside down, indicating the uncertainty of their life and their powerlessness in changing their own fates.

The scrawled profiles of a human head are the work of 18K (aka AK47) – the artist formerly known as Zhang Dali. You wouldn’t notice them in a Western city because the simple drawings would be quickly sprayed over with graffiti done by thousands of other lay abouts, vandals, artists and political groups. 18K was born in Heilongjiang 36 years ago and came to Beijing after middle school to attend the prestigious Central Academy of Art and Design. He majored in traditional Chinese ink-and-brush painting but soon began producing abstract works and experimenting with different materials. In the late 1980s, 18K was the first artist to move to the village near Yuanmingyuan that later became a thriving colony of artists and bohemians until it was closed by Beijing authorities in the early 1990s. In 1988, 18K was one of several artists featured in independent filmmaker Wu Wenguang’s Bumming in Beijing (Liulang Beijin)

In fact, many of 18K’s tags are intentionally placed right next to “chai” characters. Not only is graffiti painted onto walls that will soon be rubble unlikely to stir the police into action, 18K also has artistic reasons for associating his heads with condemned structures: the work is an attempt to engage in a dialogue with Beijing, a city where buildings come down faster than they did in wartime Berlin and London. Like many young people involved in the arts, 18K left Beijing in 1989. He went to Italy where he spent six years living in different cities and working as an artist. On his return to Beijing in 1993 he conceived of his long running graffiti project which he entitles Dialogue because the intention is that the graffiti along with photographs and articles that document and criticize it will together comprise a dialogue about the changing face of Beijing

Selected EXHIBITIONS-

2006

• A Second History curated by Wu Hung, Walsh Gallery, Chicago

2005

• Sublimation curated by Wu Hung, Beijing Commune, China

2004

• Chinese Contemporary Gallery, London

2003

• Galleria Gariboldi, Milan, Italy

2002

• Base Gallery, Tokyo, Japan

Chinese Contemporary Gallery, London

Conclusions:

Zhang Dali has portrayed 100 immigrant workers in life-size resin sculptures of various postures, with a designated number, the artist’s signature and the work’s title “Chinese Offspring” tattooed onto each of their bodies.

What to Do Next. . .

If you want any information about Zhang Huan or looking for his paintings please visit us on http://www. saatchi-gallery. co. uk/artists/zhang_dali. htm

The Saatchi Gallery’s Saleroom Online

January 3rd, 2010

Saleroom is where you may buy or sell artwork commission free on the Saatchi Online. The Saatchi Online Saleroom allows registered users to buy art free of commission from artists around the world. The site takes no commission form artists and charges no commission to buyers. You can simply buy the artwork you like directly from the artists using paypal or a suitable alternative payment method.

Saleroom is a great opportunity for buyers to buy artwork and also for sellers to sell their artwork within a community of artists. All artwork sold through the Saatchi Online, allow the buyers to pay through paypal securely ensuring a purchase protection up to the value of $2000.

The lack of a physical gallery space has allowed the Saatchi Online Gallery to flourish with the number of hits exceeding fifty million per day on most days. Primarily a space for artists to display their work and network with other artists, it was only going to be a matter of time before the ability for artists to sell their work through the gallery was included, and that time has come. The Saatchi Online Saleroom allows anyone to buy art free of commission from artists around the world. The site takes no commission from artists and charges no commission to buyers. You simply buy the work you like directly from the artist, using Paypal or a suitable alternative payment method.

To display your artwork, register with the Saatchi Gallery, alternatively if you already have a Saatchi Online or Stuart account you may get started right away.

The Saatchi Gallery’s Saleroom Online – Buy Art free of commission from Artists around the world. Our Website takes no commission from artists and charges no commission to buyers.

About Artist Stef Driesen Art Work and His Paintings at the Saatchi Gallery

December 31st, 2009

Influenced by the works of Northern European Old Masters, Stef Driesen’s paintings often incorporate references to art history through their colours, compositions, and subject matter. Through this lineage, Driesen draws from his own personal experiences to create beautifully expressive canvases evoking both emotional and physical sensuality. Using his own sexual identity as a platform for investigation, Driesen’s work expands upon the theme of man and nature: each canvas conceals a human form within his abstracted landscapes, creating a symbiosis between the romantic sublime and mortal carnality.

Using a fleshy, earthy palette, Driesen’s canvases blur the bounds between tangible and psychological space. Watery grounds, delicate brushwork, and intensified tones lend a sense of dream-like terrain, translating materiality of paint into ephemeral fields redolent with contemplation, desire, and loss. In their poetic articulation, Driesen’s paintings convey the intimacy of the human condition, rendering it equally fragile and heroic. Watery mountain scapes and dramatic skies frame ambiguously figurative foreground elements. Soft pinks and flashes of azure punctuate dark canvases highlighting rivers through the picture plane and revealing landscapes beyond. Ultimately Stef Driesen’s compositions expand space, opening up an imaginary dimension into a world full of the theatrical and fantastic.

Stef Driesen draws inspiration from the compositions, colour palettes, and themes explored by these Old Masters, and is inspired by the way in which they used all of these elements to project a vision of life in their time, political, religious, romantic or otherwise. Watery mountain scapes and dramatic skies frame ambiguously figurative foreground elements. Soft pinks and flashes of azure punctuate dark canvases highlighting rivers through the picture plane and revealing landscapes beyond. Ultimately Stef Driesen’s compositions expand space, opening up an imaginary dimension into a world full of the theatrical and fantastic.

What to Do Next. . .

If you want any information about Stef Driesen or looking for his paintings please visit us on http://www. saatchi-gallery. co. uk/artists/stef_driesen. htm

Artistic Showdown at Saatchi Gallery

December 30th, 2009

The Saatchi Gallery hosts its artist “Showdown” as a means of promoting and rewarding artists that demonstrate themselves as possessing extraordinary talent. It is also a means of getting popular opinion on the works of these up-and-coming artists. Over a one-week period, Saatchi accepts one piece of art work from each artist that chooses to enter the contest. Submissions are accepted between 9:00 a. m. on Monday until 6:00 p. m. on the following Sunday. Voting then begins, and each visitor to the site is allowed to rate the quality of each piece of work submitted. Visitors may vote on as many pieces as they wish, but are allotted only one vote for each individual piece. They indicate their preference for a particular work by rating it on a scale of one (1) to ten (10). After the scores are tallied, a duel begins between the two artists who have attained the highest scores. These two leaders vie for a chance to enter the final showdown, where the winners of twelve such rounds go head to head for the final prize of £1000 for the winner and £750 for the runner up.

Entrance into this event on the Saatchi website is free and easy, and it holds the promise of furthering the careers of not just the talented winners but also of the wide variety of talented entrants whose works will be seen by Saatchi’s large viewing audience. The competition is also a means of exposing young artists to the triumphs and pitfalls that are likely to attend them throughout their entire artistic career. Therefore, artists not only get the chance to benefit monetarily, but also the chance to develop as a professional businessperson.

Art Schools and Colleges Portfolio at Saatchi Gallery

December 27th, 2009

Saatchi Gallery presents the gallery portfolio, an online application through which students at the primary and the high school levels have the chance to display their work in an environment that will grant them the exposure they need to encourage future artistic endeavours. With this application, teachers or other representatives of the school create a profile for their respective institutions, and these profiles give the schools an opportunity to promote and attract visitors to their physical school premises or to their school’s own art website. Most importantly, the institution’s art department is featured via the presentation of the works of its most talented students.

The students’ works are uploaded along with student profiles and descriptions of the work itself. Descriptions of the school’s artistic achievements and events are also facilitated on their very own page. In addition, the Saatchi Gallery goes to great lengths to encourage these schools and their art students, through the regular hosting of competitions that grant monetary compensation. These rewards are used to equip the art departments of schools whose students show great promise in the visual and/or performing arts. The competitions also endow the winning and runner-up students with funds to facilitate their own artistic efforts.

The Saatchi Portfolio is a valuable resource that grants artistic exposure and benefits to these primary and secondary educational institutions and their students, and even gives some of these young individuals the chance to see their work on physical display at the Saatchi Gallery. Uploading the artwork of the students at your school could grant your department a significant boost in enrolment and student interest. Participating in the Portfolio aspect of Saatchi’s artistic outreach has favourable and tangible benefits that can place the young artistically inclined person on the right track toward a prosperous and fulfilling career in the visual arts.

Show of Many Art Forms

December 26th, 2009

If you are an art aficionado and have the enthusiasm to collect more information about art then visit an art fair. Art fairs are festivals that highlight many forms of art to the public with the aim to teach and entertain in a virtuous manner. Additionally, it is also a favorable time to come in touch with artists and have a clear insight of their work and their perception. The works of art are made by working on different mediums; free-styles including the blend of several techniques are to be seen in these art fairs.

Art and artist find art fairs as an imperative platform to reach to the public. Art fair is also an attempt to enrich both art and artist with the new ideas and changing taste. However, it is also interpreted that the prime objective of such exhibitions are to impart about the recent developments of arts in different vicinity. This ultimatum effort is supported by hundreds of artist by contributing in art fairs. Many art exhibitions set eligibility principles where they are asked to submit work so that judges can evaluate the worthy works and display it to art lovers.

Art fairs are held annually or at irregular period where artist of both local and international admiration meet together to share their interest related to art. Art galleries also exhibit works of various artists in these fairs concerned to modern and contemporary art. For persons craving to taste something new in art will find such fairs exciting. All information pertaining to such fairs can be collected or are provided on websites or art fair calendar.

The fairs also act as a spring board for debut artist and encourage them to express their skills. The art fairs gives priority to the presentation of artist’s work and vision that directly leads to long-term positive results.

Art fairs are also held to collect revenues and funds for noble causes like supporting the young talented artist by offering them scholarships. Thus, in society the role of art fairs are significant.




By: Saatchi Gallery

Art College at Saatchi Gallery

December 26th, 2009

The Saatchi Gallery provides an immense and inestimable resource to the artistic arm of colleges and universities around the world. It offers these institutions the exposure they need to market their students and any artistic (including performance and design) events collaboratively produced by students, faculty, alumni and other university affiliates. The Gallery hosts and facilitates the advertising and marketing efforts of these institutions by allowing representatives to upload the details of the various artistic bodies that exist within the college or university. Schools may also upload the art work of its students to give them vast exposure on the international art scene. Because the Gallery is in fact a central station that provides links to the most popular colleges and universities, your own institution is likely to benefit greatly from the large viewing audience that frequents this area of the site. Not only will you be able to attract viewers to your events, but you will also be able to attract prospective students to your halls.

The Saatchi Gallery resources provided for colleges and universities will quickly become an indispensable part of the institution’s marketing efforts. These institutions’ artistic representatives are encouraged to upload such information that presents the variety of artistic disciplines available for student concentration. Institutions may highlight the achievements and artistic interests/goals of their distinguished faculty. The Gallery also allows for the broadcast of upcoming events and the posting of notices to students, graduates, prospective students and faculty. In addition, it facilitates the solicitation of visits or sponsorship from a sophisticated worldwide Saatchi Gallery audience devoted to aesthetic pursuits. Therefore, colleges and universities are presented with the chance of not only airing their own creativity in the visual and performing arts, but also mining the creativity of the communities of the world to gain students for filling future graduating classes.

Martina Steckholzer – Paintings – the Saatchi Gallery

December 25th, 2009

Martina Steckholzer uses as a source for her paintings, video footage which she films in exhibition halls, museums, art fairs and artist’s studios – all places where art is seen or made. The filming is sometimes random where she moves the camera around the space without looking through the lens and sometimes more specific when she points the camera at something she finds interesting. In both cases, her purpose is to catch images hidden from our usual gaze – images that could only be seen through the lens of the camera and caught on the still of the video footage. Martina Steckholzer’s paintings offer a poetic ambience suggesting an infinite nothingness of space. Working from video footage filmed in art galleries, air fairs, studios, and museums, she isolates frames that capture the in-between spaces, unusual angles, and overlooked vantages of familiar generic places. Translated into paintings, these images become dislocated into virtual fields: flat canvases projecting abstracted illusions of line, shape, and tone replay the experience of gallery within the gallery, mirroring the hallowed white cube as sublime aesthetic.

After identifying a single frame from the video, she isolates the image and uses it as the basis of the painting. Although she stays with the main structure and image in the video frame, the paintings are never graphic and it is important to her that they maintain a painterly quality. The viewer is left with a feeling of uncertainty and is never quite sure where or how the paintings are made – why are some abstract, some more figurative? In many there are figurative clues alluding to architectural space, such as in, Chromogenic 2005, but the perspective and fragmented space is difficult to identify. In others there are clearer figurative elements such as, Maybe we Should 2005, a painting made from the image of a landscape photograph. These are punctuated by purely abstract images such as Artist’s Body 2005 (from an image of a roll of film). The titles of the works are also from the video footage and taken from text that appears in the film of the space – maybe signs, labels, titles – not always relating to the image in the painting but always appearing in the film from which the image was taken. Martina Steckholzer’s Neon uses only grey hues to further minimalise her architectural subjects; as the recognisable melts away through delicate layers of paint, only the empty inference of space remains. In Neon, Steckholzer uses the malleable quality of her medium to reflect phantasmal tricks of light, her graphic image dissolves into subtle hand-made gestures. Cut through with black forms, Neon gives the sensation of both solidity and weightlessness, creating an ephemeral expressionism from the cold rationality of photographic media.

Artist Molly Larkey’s Art Work and Paintings at the Saatchi Gallery

December 24th, 2009

Molly Larkey’s The Revolutionary playfully incorporates elements of formalist abstraction with its symbolic subject matter. Constructed from a variety of materials, Larkey gives her sculpture a rainbow treatment of brightly coloured paint, each rough hewn component compiling as a topsy-turvy monument, inciting both Modernist art history and hippie psychedelia. With her theatrical assemblage, Larkey frames these disparate ideas as humorously dysfunctional; relating the dynamics of power with the festivity of grass roots endeavour.

BIOGRAPHY

1971

Born Los Angeles.

Lives and works in Brooklyn

SOLO EXHIBITIONS

2007

Project Room, PS1 Contemporary Arts

Center, Long Island City

2004

Webspace @ Artists Space, New York

2003

The End of You Is The Beginning of The End of Me, PS122 Gallery, New York

GROUP EXHIBITIONS

2007

M*A*S*H, curated by Omar Lopez-Chahoud & Amy

Smith-Stewart, New York

Tropical Punch, Jack the Pelican Presents, Brooklyn

2005

LineAge, The Drawing Center, New York, NY

Off My Biscuit, Destroy Your District!, Samson Projects,

Boston

Atomica, Esso Gallery & Lombard-Fried Fine Arts, New

York

Désert de Retz, curated by David Hunt, Audiello Fine Art, New York

2004

Black Milk, Marvelli Gallery, New York

2003

Terrible Beauty, Satelliteâ (a division of Roebling Hall), New York

2001

An Exhibition of Works by Contemporary Women Artists:

Kiki Smith, Cecily Brown, Jane Hammond, Elizabeth Murray, Susan Rothenberg, Molly Larkey, Lisa Yuskavage, Marisol, Bobbie Greenfield Gallery,

Santa Monica

2000

New York Area MFA Exhibition, Hunter College, New York

MFA Thesis Exhibition, Rutgers University, New Brunswick

1999

Size Matters, Gales Gates et al, Brooklyn, NY

Mirror, Mirror On the Screen, Momenta Art Gallery, Williamsburg

The Y2K Solution, Rutgers University, New Brunswick

1996

Incestuous, Threadwaxing Space, New York

Molly Larkey’s The Revolutionary playfully incorporates elements of formalist abstraction with its symbolic subject matter. Constructed from a variety of materials, Larkey gives her sculpture a rainbow treatment of brightly coloured paint, each rough hewn component compiling as a topsy-turvy monument, inciting both Modernist art history and hippie psychedelia.

Read Entire Article about Artist Molly Larkey paintings and artwork at The Saatchi-Gallery http://www. saatchi-gallery. co. uk/artists/molly_larkey. htm

Art Colleges at Saatchi Gallery

December 17th, 2009

The diversity and versatility of the Saatchi Art Gallery is demonstrated in the large number of colleges that are hosted on the site. Plus, the eclectic nature of Saatchi’s artistic approach to contemporary art is embodied within the cultures and worldviews represented by the diversity of the artistic pool available on the site. This is due to the fact that our open attitude toward universities attracts the most learned and brightest artistic minds around the world. The colleges and universities represented within the pool of academic institutions hosted on this site include some of the most well known and high producing visual and performing arts departments around the world. Such institutions as Yale University, Californian Institute of the Arts and the Academy of Visual Arts in Leipzig are just a few of the plethora of schools whose information regarding artistic opportunities and events is available on the Saatchi Gallery site.

The Saatchi Gallery also links to various colleges that are dedicated to design, fashion, performing arts and architecture. Such schools as Chelsea College of Art and Design in London, and New York’s Fashion Institute of Technology are hosted within the cyber-halls of the Saatchi Gallery. Other well respected artistic institutions hosted include Academy of the Performing Arts in Prague and College of Visual and Performing Arts in North Dartmouth (United States). The variety of colleges and universities also offer a very large number of study paths along which one may travel toward mastery in the arts. To the colleges and universities themselves, the site provides an invaluable networking opportunity, through which the institutions may build relationships that deepen the artistic resources they offer to their students and to the public at large.